The typographic portrait is a workshop designed and created for the SiriusLab association's Fablab in Paris. Intended for children aged 6 to 12, this workshop allowed them to see letters as shapes, giving each participant the opportunity to create their own typographic universe.

Hi Kifik, ça va ? is a research project developed around the Arabic/Latin multi-script. Through writings and exchanges with graphic designers and typographers specializing in these scripts, I have explored the challenges of coexistence between the two scripts, while highlighting issues related to typographic evolution and cultural respect. The publication is bilingual and includes the research text as well as transcribed interviews.

Project carried out in collaboration with Cécile Boquen, featuring illustrations and collages of the Korean and Arabic alphabets with the aim of visually questioning the graphic blending of the two scripts.

Make Letters Speak was a workshop located at the intersection of type design and storytelling. We looked at words that travels through and beyound languages. Together, we considered their itinerary, drew the spaces in between, and made their connections. Led by Naïma Ben Ayed, hosted by Le Signe - 14th to 18th of July, 2021.

Evolution and modernity of the Arabic script is a writing project focusing on graphic evolution of Arabic writing, ranging from calligraphy to printing techniques, and highlighting the typographical evolution of this script. This text is also enriched with a particular perspective on the graphic landscape in Lebanon, thanks to an interview with Jennifer Meez, Lebanese graphic designer.

Limites de nos limites is an anthology that explores the different boundaries in all their forms, enriched by the works of Min Jung-Yeon. This book examines both our freedoms and the restrictions that accompany them, offering a profound reflection on the issues related to our limits.

Dominer saisir détruire first emerged as a graphic exploration project, using collages and the Processing software. This edition synthesizes the results by developing a reflective framework that questions the various forms of human destruction inflicted on the landscape.